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It’s America’s Question Time

Adult landing on nest

Image via Wikipedia

(Update: Youtube clip added at bottom of post)

This morning, after switching on the kettle, I set my laptop on the kitchen counter and shuffled through the BBC iPlayer’s “Factual” category—looking for something interesting to keep me company as I made my porridge and coffee. I stumbled across Question Time, and noticed that this special edition was being broadcast from the United States—something to do with an election? I was more thrilled that the entire panel was American, with the notable exception of a personal hero of mine, British professor of history at Columbia University Simon Schama.

Things, however, did not go according to plan, and I was very soon restraining myself from damaging my employers’ Macbook with the wooden spoon I’d shortly before been using to stir my porridge. After realising that unless I switched off the iPlayer in short order, I’d either have to remove the spoon from the screen or my clenched teeth.

I took a minute to reflect at my reaction.

I had lasted through only a few answers to the first question.

As a quick introduction to Question Time, for my American readers—clearly something the audience at this recording had been denied—the format of the programme is straightforward and effective. David Dimbleby chairs a panel of note-worthies, and selects from a series of questions submitted by the audience for the panel to answer one by one. It is a political programme which has featured many of the most important British figures including Tony Blair—while still Prime Minister. The panel usually consists of a politician or two, a political theorist or commentator (often an academic) and, often, a slightly more off-beat character such as Ian Hislop.

“Which candidate does the panel believe could and would restore America’s battered image abroad?”
Simon Schama: “Barak Obama”

Appreciative applause.

The historian then outlined his reasoning that the Democratic candidate’s heterogeneous past and perspective of global citizenship could only help America’s “perhaps undeserved” tarnished foreign reputation. Specifically, Schama noted, the rhetoric of war as a last resort rather than an elective option could play an important role in diplomatic relationships.

One of the other panelists, this time from a more Republican-friendly platform, stated that he believed John McCain would fulfill this role more effectively.

Cheering, whooping, and a few boos.

The panelist then went on to outline why he thought the reputation of the US is not tarnished in some places abroad, and that many African nations actually admire American foreign policy. He also stated that Iraq could turn out to be a dramatic success… each of the rest of the panelists listing their preferences and reasoning.

Several audience members were then asked their views, and this is when my breakfast  began to take a less supportive role in my morning. One particular man was asked who he’d like to see in the White House, and his response of “John McCain” brought whoops and cheers before he could speak more of his mind.

Unfortunately, however, he did speak more.

With a notably impressive display of condescending superiority, the gentleman in an expensive suit addressed Simon Schama, beginning with: “You’re a typical professor. You are it. With all respect, our country is not hated overseas, I’ve been to fifty-five countries…” continuing that the US “brings hope to people” and that it is not hated overseas. “We’re the most charitable nation on earth, as evidenced by George Bush, and all the work he did…”

His tone then took on a challenging note: “with all respect, don’t talk about our country being villafied overseas, when we are respected and loved by millions of people BECAUSE OF WHAT WE DO FOR THEM.” [emphasis his, as he shouted over the cascade of applause and the chairman's attempts to direct the discussion.] “AND WE DIE FOR THEM, AND WE DIE FOR THEM.”

I was already impressed by this increasingly visceral outburst, when he capped his performance with a patronisingly disgusted gesture allowing the typical professor his reply. As Schama began his response, the suited gentleman continued his statement, raising his voice over the top of audience and Schama… and it all continued to escelate until eventually, Shcama was able to say “if I’m a typical professor, you’re a typical blowhard; let me finish.”

The spoon, by now, was nowhere near the pan, and I found myself gawping at the screen in irrational hope that the man would shut up.

The problem, from my perspective, is not about which candidate wins this election, nor from which side of an all-but-imaginary political fence one happens to stare through. The problem is the offensive-defence of American rhetoric. It’s pre-emptive, visceral, and primitive. It makes respectable-looking people speak without thought. It damages credibility, and makes the speaker look like a bafoon. And I know it well.

Having been raised in the States, I know the blood-pounding-in-the-ears nature of political discussion. The goal is to be right, absolutely; and to make sure anyone watching—and, if possible the opponent himself—knows you’re the right one. The problem with this is that facts are tactical, discussion conduit, and people incedental. It’s all a vehicle for your personal perspective (the right one) to be broadcast with as little ambiguity as possible. And it might even lead to interesting dichotomies and contrasts if it wasn’t all done  under the influence of adrenaline.

You see, from an outsiders’ perspective, this suited businessman illustrated America. “We’re right!” “We’re the most charitable!” “We fought for you!” “We freed Iraq, goddammit!” and: “We’re not hated abroad! Don’t tell me we’re hated, don’t YOU talk about OUR country…” The logical, conscious part of any discussion is abandoned, and it’s down to bare-knuckles. “I can’t understand your words, man, cause my ears are throbbing, so I’m gunna SHOUT at you so I can hear my OWN damn voice!”

My response surprised me: I tsked, and muttered: “typical American, can’t see he’s trying to tell the world what it thinks.” I appreciated the irony of this hateful person insisting we’re not hated. I found the fact that a professor’s extraordinary career and the phrase “with all due respect” could be used as conduits for hatred exquisitely funny. I would have laughed and enjoyed a British moment of personal, quiet exultation in the foolishness of the speaker if it hadn’t been for one thing.

The audience.

The audience rose to this diatribe with a fervency of whooping, cheering, clapping and shouting. The whole place suddenly became a bowl of people shouting down the suited man, the panel, Dimbleby and each other. I stood gobsmacked in my kitchen, spoon dripping oats onto the cat and begged God not to let any of my friends watch this.

Until Americans are willing to put emotional defensiveness and denial aside from their rhetoric, there will be a continued decline in their perception overseas, regardless of their political opinions, good deeds or noble willingness of sacarifice. America, as an entity, is hated by some people overseas. We need to deal with it, not shout them down or question their right to not like us very much (and, by God, they have such rights).

And, the question came again to me: “Where are all the considerate, contempletative Americans I knew growing up? Where are the people who give more generously than any other nation? Where are the peace-makers and volunteers? Where are the AIDs workers, teachers, and nurses?” I only pray that when the hubris of the TV-talkers dies, the dignity I know lives on in the US is left standing.

Update:

The incident I spoke of has obviously stricken a chord with others, because it’s appeared on Youtube:

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Windows Live Services Suck/Look Nice (Delete as Appropriate)

Live Writer

Right, so I’ve been blogging using Windows Live Writer for a few weeks, and have generally enjoyed it. It’s easier than logging into my CMS, and it integrates with the site theme, so what I see is actually what the post looks like.

Live_Writer_2_0As you can see, it’s a pretty slick interface, and I think it’s  relatively simple, so the focus is on the writing rather than the application (Windows’ biggest design fault IMHO!) There are a few exasperatives, however:

  • Insert Video only works with a select set of video sources, and I even had trouble with YouTube. It’s a slick idea, but it executes poorly.
  • My Site favicon appears, which is nice, but it runs over ‘View Weblog’ and falls off the bottom of the window. Surely it’s not too hard to resize or align it in a satisfactory way?
  • Set-up was quick, but there’s no native support for Drupal (you have to cheat and call it WordPress or MetaWebLog). This isn’t so bad, but it does limit the options you’re given if you choose the wrong one.
  • It has the ability to tag posts, but it calls them ‘Categories’. They’re Tags. It’s a Blog. And, it’s one of the things that doesn’t work if you choose the wrong set-up type.

Aside from those, it’s brilliant. I use it all the time, and it is easy to use. You just have to html-in the videos you want. And, like I said, it’s pretty.

Live Mail

I hate Outlook. It’s ugly, complicated, and runs slowly and in its own very particular way. I’m sure it’s brilliant for all you Server-Oriented people out there, but I don’t use Exchange. I’ve been using Gmail’s web interface for three years or so, and decided I’d like to explore a desktop app. I set up Outlook 2003, but I hate it so much… Besides, I use Google Calendar, and I haven’t got a satisfactory sync yet (Yes, I have added Google’s new Sync app, but I use multiple calendars…) You have to muck about with the OS’s Mail settings to get rid of unwanted accounts. Then it crashed, cause I deleted it’s precious Data File…  so, Outlook’s out. Instinctively, I’d use Thunderbird, but it isn’t as good as Firefox for some reason, and I don’t want to think of Mozilla in a bad way… (Whoever said I was unbiased?)

Thing is, I like the OS integration of things I use all the time, I just don’t like Window’s versions. I like the Idea of Internet Explorer, but Firefox is better in so many ways. I like the idea of Windows Contacts, but it doesn’t grab my contacts from the Cloud… like Plaxo used to before it broke! So I love the idea of Windows Live Mail… it’s eye candy Aero style and looks simple, to contrast Outlook’s frankly cluttered layout.

Live_Mail_Spam_2_0 Unfortunately it works simple too. Not simple as in keep it simple, but  simple as in: ‘He was a bit simple, now you mention it.’ IMAP frankly frightens it, and you have to use advanced settings to keep it from defaulting to POP. My favourite thing about it so far, though, is the way it mindlessly keeps doing what I tell it not to. I don’t want it to synchronise the ‘All Mail’ folder with Google, cause it’s colossal. I don’t want it to sync the spam folder, cause it’s full of spam and I’m happy with my c0k $iz£, thanks! But it keeps doing it. I tell it not to synchronise, and even remove it’s messages; they keep appearing. And I know it remembers what I told it because the tick box is still ticked (it’s not the only thing getting a ticking off) (See Image).

It also doesn’t seem connected with its tray icon, which still displays unread mail long after you’ve read and cleared the inbox.

For some positives, it’s pretty, not complicated, and it has a structure which works better than Outlook. It supports a big, one-stop inbox without needing a BSc (Hons): Outlook Settings and Apologetics. I like it, I just wish it worked like it should. Kinda… like Vista!

Update

It looks like Live Writer has updated and now recognises Drupal. Unfortunately, it now sees the CSS in a different way, and makes live_writer_drupal_2 posting very visually difficult! It used to have  a white background (See top image) but now looks like this:

It’s a nightmare to read… oh well, I can’t really be arsed to muck about with the CSS of my theme… it was fun while it lasted!

 

Can we finally just watch TV online?

Watching TV online is becoming a bit of a hobby of mine.  I don’t have a TV anywhere in the house, and it is just so much more convenient to be able to watch what I want, when I do, without  having to play around with channels or digital interfaces which seem built to be slow (i.e. digital TV). Early efforts to watch online were riddled with frustration. I trialled Joost along with however many millions of others who signed up for a Beta invite, but found the system clunky and without real appeal in the frankly poor content. Also, it was a memory hog and froze my then-ageing Dell. There was also the problem with pirates and ‘linked TV’ Not only is there the conscience to console, but one popular link site, tv-links.co.uk, actually landed its founder in prison. YouTube only provides short clips, or pirated episodes which are quickly removed by moderators.

So, where does that leave the casual TV-watcher? With all the early difficulty of installing software, finding Betas, or perusing content which either didn’t work or you didn’t want to play, it seemed that watching tv-quality content online has always been a struggle. With new improvements, though, can you actually watch TV online easily and relatively free from frustration? I think it’s getting there.

UK TV Online

First, I’d like to note that I will be avoiding Hulu and any discussion of it aside from mentioning that it doesn’t work in the UK. Both of the services reviewed below, to be fair to US readers, currently only work in the UK.

BBC: iPlayer

The British Broadcasting Corporation produces high-quality tv and radio content, and, because if its unique funding contains no advertisements. The aim of the iPlayer is to provide access to all BBC content for up to seven days following broadcast. The player itself is Flash-based and inside the browser, with full-screen capability. http://www.bbc.co.uk/iplayer The menu system is intuitive and simple. You can navigate by channel (there are several BBC channels, including dedicated children’s and world news stations), category, show title or by broadcast day–up to seven previous. The Flash interface allows a quick summary view of each show, with a still image or a show logo. Clicking on any icon will bring up a summary and a playing screen which waits for you to choose to start. (NB: I’m using the Kwout service for the clickable image on the left. For more about it see R/WW’s writeup here.)

One slightly annoying feature is a lack of ‘Back’ function. If you choose a show you decide not to watch, you either have to go back using the browser (slightly risky with Flash) or re-navigate using one of the categorisation options. The image and sound quality of the content is excellent, though, and the overall feel of the interface is brilliant.

Viewers have the option of streaming content or downloading it for later watching (though the DRM allows it to show for only up to the 7-day deadline). The download feature works exclusively with Internet Explorer, though Firefox or Opera work fine for streaming. Each episode also seems to have a permalink system, so, provided you are within the 7-day restriction, you can share content using links.

My initial impressions of the iPlayer are all positive. The content is not compromised: it shows all BBC materiel. The 7-day limit seems fair for free content, and the player works very well indeed. The quality of the interface and of the actual content is uncompromising, and you can actually sit down, choose a programme, and watch it.

iplayer_flashWell, mostly…

Although most of the time it works that way, if you are on restricted bandwidth, you are out of luck. All that quality really costs to deliver in terms of download speeds. I am fortunate to now live in a relatively uninhabited corner of these crowded Isles, so I can watch the iPlayer at more or less any time. At my previous house in the South-East, however, my ISP could only provide me with a 1MG connection or less during high-traffic times. Even now, however, I can experience that horrible Flash loading circle, and it tends to continue circling once its’ started.

This aspect of the iPlayer has caused something of a national stir. It has been reported that ISP’s are demanding the BBC actually cover the cost of more people using more bandwidth due to watching content online. I can’t say I see the ISP’s logic in this one. After all, they are being paid to provide access to the internet, and most have limited policies or “Fair Use” declarations anyway. What it has done, however, is to highlight the lack of bandwidth for current and future-looking applications. Anyway, the iPlayer uses bandwidth, and if you haven’t got it, you will spend a lot of time watching the Flash snake chasing its own tail and not a whole lot more.

One more item I’ve come across is the Player’s annoying habit of occasionally just not working. In general, the content loads, and you can play, pause, and re-wind with impunity. Every so often, however, it will fail to load with a friendly but less-than-helpful explanation:

4od_something-went-wrong

4OD

Channel 4, which is a traditional broadcaster alongside BBC’s terrestrial channels, has launched its own online service titled 4OD (4 On Demand). The flavour of Channel 4 has always been different from 4od_traythe BBC, and these differences can be seen in the service. Whereas the iPlayer is a flash-based, in-browser player, 4OD  requires download and installation. It only currently works with Windows XP or Vista, and also requires Internet Explorer and 40d_main Windows Media Player to be installed on the system. After install, the 4OD service adds itself to the startup, and users will see a Channel 4 tray icon after startup, and the service is launched from the system tray. Double-clicking the icon or right-clicking and selecting “Open 4OD” will result in a full-screen browser which allows you to select content to watch.
4OD allows free viewing of shows for 30 days after airing, and the ability to rent other content including full-length feature films. Prices for renting range from £.99 to £2.99. Content can be streamed live or downloaded for viewing later. The content presented, however, is slightly confusing. Although you can search by category, name, or price, you can often find content which is free to view, regardless of when it was aired. So some content, aired long before 30-days ago, can sometimes be seen and streamed. You can also feel a bit lost in the full-screen, especially when the service asks you to sign in to view a programme. This leads me conveniently on to another point, which is that  viewers are required to register for 4OD’s service in order to stream or download. The browser forgets that you are signed in within the space of a half-hour show, and requires another login to watch something else– and this can grow tedious.

The actual player is Windows Media Player (Version 10+) which means that the content is streamed in a high-quality interface with familiar controls. Shows can be paused, rewound and re-played, and the sound quality seems good (as good as my stock Dell speakers can produce anyway). You also never see that annoying Flash loading circle which is often present with the iPlayer. That’s not to say it loads perfectly every time, as it can glitch and pause too, it just does it Windows-style: by freezing and becoming unresponsive. It also has its own special, unhelpful error messages: iplayer_sorry

iplayer_sorry (2)
One slightly sinister aspect of the 4OD service, is that is uses a P2P active service on your PC called KHost or Kontiki. This isn’t really obvious from the download and install information, and it can use a lot of system resources. To my mind this smacks slightly of spyware.

iPlayer and 4OD: side by side

Although fundamentally providing a similar service, 4OD and the iPlayer have a differing ethos and presentation. iPlayer is in-browser and can be accessed from multiple platforms (though its initial launch was XP-only and required a download), while 4OD is locked into a single platform and even set up (i.e. you have to use IE). 4OD allows more content to be broadcast, and even makes old content available for hire, so that you can watch virtually everything they offer. BBC iPlayer only lets you watch 7 days’ worth of footage, and is notoriously stingy with old content. Because they cannot charge for their content, the BBC is unlikely to jeopardise their TV viewings (which fund the Corporation through UK TV licenses), but rather seems aimed at offering a complimentary service.

Aesthetically, the two services are very different. The iPlayer looks sleek, simple, and high-quality. Its interface is intuitive, and works well for the limited content available. 4OD’s interface is scattered and complicated, and requires a full-screen view to show all its various content. 4OD is also slightly more difficult to navigate, and feels slightly less stable. The use of background images in the 4OD reminds me of MySpace, and the content can be visually busy. The iPlayer, likewise, could be favourably compared to the simplicity of Facebook–only black. It would interest me to see a study comparing viewer demographics of the two services, because Channel 4 has always presented a gritty, reality-driven face in its content, and is opposed to the high-brow nature or sophistocation of the BBC, and I wonder if this would compare to the demographics of Facebook vs Myspace.

Both of these services lack something fundamental, however, which mark them as being slightly too proprietary. They are offering TV online, without many benefits from the new medium. You can’t share the programmes easily, nor is there the ability to tag or comment Although the iPlayer has a form of permalink, it only lasts until that programme reaches its 7-day use by date. The DRM on the content is tight, and limits the time for watching. The BBC in particular has grasped the nettle of the web with its excellent online presence, but its iPlayer is simply TV. This is the web as a platform without what makes the web, the web. However, with that said, the exact thing which makes these services somewhat workable is that they finally work. For years, you had to put up with ridiculous loading times, pauses, glitches and second-rate content. Now, most of the time, you can choose a full-length programme and watch it in relatively high-quality video. There is still a long way to go while TV online finds its feet, but at least we can  finally sit back and enjoy the wait.

Zach Beauvais www.zachbeauvais.com

 

Hulu, News Corp, and the Web (2.0?)

hulu_logo1 I know this is behind the game, and that the bleeding edge of blog reviews has moved well beyond online streaming service Hulu (even though it’s not yet out to the public). But I received my beta invite last week and have had all this time to play around with it.

My initial thoughts: none.

No, not one initial thought. Hulu doesn’t work in the UK. They don’t tell you: "Hey, if you live in the UK, you will be able to access and begin your Hulu experience, but when you choose a show to stream, you’ll be disappointed. Have a nice day." You have to jump through all the Beta hoops to get there first.

Now, I know I should have known better, being a generally web-savvy chap. But after a few pre-reviews of the Hulu service, I decided not to read any more blogs about it until after I’d tried it out myself. I knew not to expect too much, after reading the last review over at Between the Lines , but I wanted my own experience.

Since then, I’ve found dozens of blogs about how bad it is that Hulu doesn’t work in Europe. Aside from whingeing about the lack of support, I can’t really think of anything more to write about Hulu (apart from its ridiculous, trying-too-hard-for-the-Web-2.0-market name).

But, doesn’t this kind of go against point of the web? The idea that we can make connections, share content, stream and connect?

The principle of the internet is broken by this experiment, and I don’t think a platform intended to be a YouTube killer should ever have been trialled in a geographically-limited network. Sure, I understand private Betas, but why limit this to the States? I don’t think News Corp really gets the Web 2.0 thing. In fact, I wonder if they really get the internet?

It reminds me of LaunchCast (now Yahoo Music). When I first launched the player, all the content was free, and there was absolutely loads of it. I was thrilled! Over months, however, content became harder to find due to advertisement interruptions and restrictions on skipping tracks. Suddenly, Launch re-directed to Yahoo, and I could no longer skip any content without upgrading to a premium service which hadn’t existed before. Then, when I moved to Britain, all the content was unavailable apart from a limited selection which I can only presume was intended for a British audience. (Don’t think my mates here would have agreed in a focus group!)

I haven’t used a yahoo service since. No, seriously, I haven’t used Yahoo. As soon as Konfabulator was purchased by Yahoo, I uninstalled it. I was all set to set up a Flickr account, when I found out it was Yahoo. (I might go back on that one, once I get a decent digital camera.)

This wasn’t really a boycott so much as a pre-emptive decision. I know that as soon as Yahoo gets a hold of a service, its user-friendliness will dissolve into advertisements and ‘premium services’ (a contradiction in terms!) This is what Hulu reminds me of. An attempt at grabbing a market instead of a well-thought-out startup trying to sell a genuinely good service and make a profit on its quality.

What is Web 2.0? Hulu doesn’t know, and it makes me think that News Corp hasn’t really got its head round it at all. I shudder to think what’s going to happen with LinkedIn.

 

Kiva.org answers: "And who is my neighbour?"

When social networking is the topic, I imagine most people think of Facebook, Myspace or LinkedIn—sites fundlogoLeafy3amentally  derived from self promotion and entertainment. Despite the high language used to discuss social networking and Web 2.0, most of my time spent on them is all about having fun or trying to look better to others (which is what LinkedIn is primarily for). But what about the idea that the world is now connected? Why do I spend most of my time online ‘socialising’ with people I already know, or participating in interests in which I’m already interested?

After all, the idea of a network (on online community) is to create and maintain connections between people and groups. It is only a matter of time before connections are made which open eyes.

Bloggers in Burma have been using the web to broadcast their message not to let the world close its eyes to the community disaster there. YouTube has been mentioned to contain many thousands of clips from soldiers in or from Iraq. This is a serious source of information, a broadcast network between communities. And it seems that this call for help could be so easily ignored if it weren’t for the persistence of the messages: ignorance as a refuge is shrinking daily.

But where’s the 2.0 in this Web? Where is the sharing and the interaction from these blogs and discussions? Have a look at Kiva.org, the most inspiring website I have seen in months. This is a set of actions, and a practical source of actual tools we can use to share.

This is the community beginning.

Spend some time in the ‘About’ section over at Kiva, and you will see the beginnings of a response to the cries of the poorer bits of our larger community.

I believe the Church’s response to world poverty needs to be a powerful and practical one. I believe that when it says in Acts that there were no orphans and widows among them, it wasn’t just about bragging, but was a description! When the teacher tried to catch Jesus out by asking: “Who is my neighbour?” he was just the first recorded using the excuse that we just don’t know. That isn’t good enough any more, and our Neighbourhood is getting bigger!

 
© 2010 Zach Beauvais
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